"Rooster Cogburn," the 1975 sequel to "True Grit" (1969), was not nominated for any Academy Awards. All that it cares about is providing Hepburn and Wayne with a half-dozen 'big scenes' together ... What few pleasures are contained in 'Rooster Cogburn' occur when Hepburn and Wayne simply and silently look at each other with affection. The bandits are stopped and Rooster threatens to blow up the wagon and its high explosive contents unless the men dismount, which they do. Written by Martha Hyer, based on the character Rooster Cogburn created by Charles McColl Portis in his 1968 western novel True Grit, the film is about an aging one-eyed lawman whose badge was recently suspended for a string of routine arrests that ended in bloodshed. The next day, Rooster "borrows" a raft from an old ferryboat man (Strother Martin) by wagging his pistol in the complaining old-timer's face, stashing as many boxes of bottles with nitroglycerine as possible on board and head down the mountainous river facing narrow rocky rapids and waterfalls. Rooster captures the wagon, the wood boxes of the unstable volatile "nitro" and the new revolutionary repeater Gatling gun, an early machine gun on board. George Goodnight (Jon Lormer) and a number of the local Indians. Old Cogburn rears back in his saddle saying "She got the last word in again!". Calvin was an Investigator under Judge Isaac Parker in Fort Smith. Creative Commons Naamsvermelding/Gelijk delen, https://nl.wikipedia.org/w/index.php?title=Rooster_Cogburn&oldid=51563911, Wikipedia:Lokale afbeelding gelijk aan Wikidata, Dit artikel of een eerdere versie ervan is een (gedeeltelijke) vertaling van het artikel. "[9] Arthur D. Murphy of Variety wrote that the film had "an embarrassingly prefab script, along with much forced and strident acting, all badly coordinated by the numb and ragged direction of Stuart Miller. A man attempts to shoot Rooster in the back, but Miss Eula makes the perfect shot from across the ravine and kills him, revealing herself to be an excellent sharpshooter. Eula Goodnight (Katharine Hepburn), de dochter van de pastoor, wil aan Roosters zijde achter de moordenaars van haar vader aangaan. The Reverend's spinster daughter, Miss Eula Goodnight (Katharine Hepburn), wants to join Marshal Cogburn to track the criminals down, becoming his unwilling partner along with her student Wolf, the son of one of the deceased Indians, who aspires to be one of the first Indian lawmen and United States Marshal. John Wayne and Katharine Hepburn were both born in May 1907 (Hepburn the elder by two weeks), and their careers paralleled each other, yet this marked the only time the Hollywood veterans appeared together in a film. Miss Eula and Wolf say goodbye to Rooster as they, along with a number of settlers return to rebuild Fort Ruby, but jerks her horse back returning saying teary eyed that he is a credit to the whole male species and that she was proud to be his friend. The "bad men" attempt to ambush the three, but they fire the rapid-fire Gatling gun up at them on the rocky cliffs and they manage to escape around the corner bend in the stream. Cogburn is hired, reluctantly, by Mattie to track down Chaney, the man who shot her father, and they’re joined by Texas Ranger La Boeuf (Glen Campbell), who’s also looking for the killer. "[7] Roger Ebert gave the film 1 star out of 4 and wrote that "the chemistry's there at times. That night the outlaw men kidnap Wolf, saying they will let him go if Cogburn gives back the wagon, the boxes of explosives and the Gatling gun, but are actually planning to get the wagon back, and to kill the three heroes anyway. A bullet wizzes by Cogburn's head. But when it does work, it's largely because of the sheer acting craft of [Wayne and Hepburn]. Getting ahead of Hawk's gang, Rooster, Wolf, and Eula stake out a crossing across a gully in the woods, barricading the path with logs. Rooster has Eula hitch up the wagon horses, while Wolf scatters the outlaws horses. Rooster Cogburn is a sequel to the 1969 film True Grit.[2]. The three heroes encounter massive white-water rapids the following morning. The towns people were closing in, trying to get a look at what was happening. Deze pagina is voor het laatst bewerkt op 2 mei 2018 om 16:21. Another man tries the same, but is killed instantly by a bullet to the chest. Hawk now knowing that Breed had to have killed the other outlaw himself, launches himself at Breed in a furious violent rage and kicking the betraying scout down into a rocky ravine, killing him. "[11] Gary Arnold of The Washington Post called it "a patchwork conception that might have worked if the script had been considerably more ingenious and the direction considerably more adroit ... Screen-writer Martin Julien hasn't discovered how to develop a relationship between hero and heroine that runs on the same track with the chase story, and Stuart Millar's direction is as heavy as lead and slow as molasses. The screenplay was written by actress Martha Hyer, the wife of producer Hal B. Wallis, under the pen name Martin Julien. Hawk, checking Breed's gun, seeing only one expended bullet. The village had been overrun earlier by the gang who camped overnight plying the Indians with liquor and gambling, who then killed an elderly missionary preacher who protested, Rev. Hij krijgt een kans om in het reine te komen, wanneer een dorpje wordt overvallen door een bende criminelen, en pastoor George Goodnight (Jon Lormer) hebben vermoord. A few days later, Judge Parker, at the insistent demands of Miss Eula, gives Rooster his job back, especially when she compares him to the warrior Gideon in the Biblical Scriptures and mistakenly reveals Cogburn's true first name of "Reuben" to the old judge's amazement. Rooster Cogburn is een Amerikaanse western uit 1975, geregisseerd door Stuart Millar met … It was the final film from producer Wallis, and the cinematography was by Harry Stradling Jr. "[10] Charles Champlin of the Los Angeles Times called the film a "slow and rattletrap" star vehicle for Wayne and Hepburn, whose pairing was "not so much a relationship as a very good-natured contest in scene larceny. Marshal Rooster Cogburn (John Wayne) is vanwege zijn drankverslaving en agressiviteit, uit zijn functie ontheven. "Rooster" Cogburn, and Katharine Hepburn. 1975 American western film directed by Stuart Millar. "Rooster" Cogburn, and Katharine Hepburn. Rooster cries out "Posse!" Check out our picks for family friendly movies movies that transcend all ages. During filming, both 67-year-old stars stayed in Sunriver, Oregon;[4] Governor Tom McCall flew in for a brief visit with them in early October.[4]. Rooster agrees and eventually tracks the outlaws, led by Hawk (Richard Jordan) and his gang, along with Rooster's former scout Breed (Anthony Zerbe - who had earlier betrayed the Cavalry troop escort to be ambushed at a creek crossing by Hawk's cutthroats), to a church mission at the remote settlement of Fort Ruby in the Indian Territory. He escapes and scampers back to Cogburn's camp safely. Despite some of the most tongue-numbing dialogue in a long while, Hepburn wins every time with her sweetly devastating underplaying. "Hepburn, Wayne undone in a 'Rooster' reprise". Champlin, Charles (October 17, 1975). But he's given a chance to redeem himself after a shipment of highly explosive nitroglycerine is stolen from a transporting troop of United States Army cavalry. De film is het vervolg op True Grit uit 1969. The original film True Grit starred John Wayne as Rooster Cogburn and Glen Campbell as La Boeuf. He is helped by a spinster searching for her father's killer. Smith Rock State Park, northeast of Redmond, Oregon, was a setting as well; the Rockhard/Smith Rock Climbing Guides building at the park entrance was originally built as a set for the movie, where it was portrayed as Kate's Saloon. They hear horses up ahead and realize Hawk is planning to encounter them downriver at the wide shallow slow floating waters, so they dump the dynamite boxes overboard to float ahead of the damaged raft. U.S. Although True Grit was released by Paramount Pictures, Wallis made a deal with Universal Pictures to finance this film. Rooster Cogburn is een Amerikaanse western uit 1975, geregisseerd door Stuart Millar met in de hoofdrollen John Wayne en Katharine Hepburn. Murphy, Arthur D. (October 15, 1975). Meanwhile, in a scuffle between two bandit men, one of them is wounded by a stab wound. "[12], On Rotten Tomatoes, the film currently holds a 50% "Rotten" rating based on 8 critics, with four being positive and four being negative.[13]. And without a narrative to help us along, we finally have to wonder why the movie was made. In his review in The New York Times, Vincent Canby called the film "a high-class example of the low Hollywood art of recycling" and praised the performances by the two leads—Wayne for his continuation of his Oscar-winning role as Cogburn, and Hepburn for a performance that recalls her "marvelous characterization opposite Humphrey Bogart in The African Queen". Rooster Cogburn (1975) Movies, TV, Celebs, and more... Top 30 John Wayne Westerns or: Every Western of John Wayne with 5,000 Votes Ranked By Yours Truly with the Overall Rankings of IMDb Users and the Approval Ratings of Rotten Tomatoes Users in the Description of Each Title Miss Eula and Wolf pretend to surrender, saying Marshal Cogburn is injured. You need a Find a Grave account to add things to this site. Rooster Cogburn is a 1975 American adventure western film directed by Stuart Millar and starring John Wayne (in his penultimate film), reprising his role as U.S. [14] It was the 25th highest-grossing film of 1975. Rooster Cogburn is a 1975 American adventure western film directed by Stuart Millar and starring John Wayne (in his penultimate film), reprising his role as U.S. "Rooster" Cogburn is a fictional character who first appeared in the 1968 Charles Portis novel, True Grit.
The men carry on back to their leader, Hawk. The bandits retreat from the torrent of Gatling gun fire, allowing the heroes to escape safely. "Film Reviews: Rooster Cogburn". Plenty of memorable movies have filmed in Oregon, but we've seen our share of stinkers, too. The dialog they're given is so consciously arch, so filled with subtle little recognitions of who the two actors are, that we never care about the story and it never gets told.
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